Duomo di Milano, Italy

The gothic Milan Cathedral, the second largest church in Italy after St. Peters, took over 500 years to complete---started in 1386, largely finished in 1805 for the coronation of Napoleon Bonaparte, and finishing touches (e.g. the punch list) put on as late as 1965.  A few decades later the restorations begin!

This place truly evokes the majesty of a redwood forest.  One feels insignificant walking besides these giant columns (which I guess was the whole point).  Even the ceilings looked like a dense forest canopy.  Twas a marvel to behold.....

David Mabb's deconstruction of Morris

(all click to enlarge)

Last month I had an opportunity to visit artist David Mabb in his studio a few miles from William Morris's Red House.  You may remember him from the "Smash the Bourgeoisie" post.  These paintings (on Morris wallpaper) come from a series called Rhythm 69 which can seen in its entirety here along with an essay discussing the installation.  I wish I could buy one (or four) of these paintings but David is hoping to sell them as a set, all sixty-nine---so my next wish is that I owned a large corporate headquarters with lots of wall space!  In fact, why doesn't Sanderson buy these?

Mabb's wall-of-Morris with photograph of him in his Fruit fabric suit posing as Russian artist Rodchenko.

The power of beautiful architecture

(all click to enlarge)

In 2009 a new Community Rowing Inc. boathouse opened along a neglected stretch of the Charles River in Boston. It replaced an old building that was so innocuous that I can't even remember what it looked like, despite the fact I have been driving by it for two decades. The public has been so enchanted and seduced by the new building that membership in CRI has doubled in one year.

Robert Campbell, the architectural critic for the Boston Globe, wrote “The architecture of the exuberant new Community Rowing Boathouse in Brighton is such a joy. This is a building that is happy to look, fresh, new, democratic and up-to-date… This is one of the best new pieces of architecture in Boston.” And I'll add, most innovative use of shingle style since 19th century.

I love the glass storage shed which looks so colorful from the street, especially during the gloom of winter.

 (this pic from CRI website. Glass storage shed on left.)

William Morris on acid....wallpaper

Thistle

These are some of my favorite wallpaper designs from the Scottish design firm Timorous Beasties (best name ever??).  

From their website:  "Noted for its surreal and provocative textiles and wallpapers, the design studio Timorous Beasties was founded in Glasgow in 1990 by Alistair McAuley and Paul Simmons.....By depicting uncompromisingly contemporary images on traditional textiles and wallpapers, Timorous Beasties has defined an inconoclastic style of design once described as "William Morris on acid.""

Para Flower

Barberini Bee

Iguana

White Moth

Could Andy Goldsworthy have passed this way?

My dad sent me this picture of a cairn they came across while hiking the remote wilds of western Ireland.  Very Goldsworthyesque!

Julia Talcott's rollercoaster.....

Onward and Upward, by Julia Talcott, Linocut collage, 45 x 41 inches
(click to enlarge)

My friend Julia is exhibiting this beautiful print at the International Print Center gallery in New York.  It captures her spirit of loving and laughing at all the curves life throws you.  You can see more of her wonderful work here.

Villino Ruggeri, a most incredible seaside home....

When I was walking around the seaside town of Pesaro, Italy, last week, I came across this amazing house called Villino Ruggeri.  It is a private residence that was built between 1904 and 1908 by the architect Giuseppe Brega (1878-1958, born in Urbino).  The Italians call this style Stile Liberty (after the English store Liberty of London), their name for Art Nouveau.

Of all the incredible plaster plants and animals that adorn the house, none are more incredible than the dozens of lobster eave brackets that surround the upper story.  My jaw dropped when I noticed those!

Ten Things Italy Does To You....

1.  You realize you need a town bike with basket and full fenders, even though you already have a road bike and a mountain bike.

2.  You finally understand why ricotta is used in desserts.

3.  You fantasize about roaring off on your Vespa when the light turns green.  Of course, you are in a motorcycle pack.

4.  You get your RAA (recommended annual allowance) of second-hand smoke all at once.

5.  You develop a "thing" for Italian men in lycra on beautiful bikes.

How cute is this....father and son in matching team jerseys and helmets.

6.  You return home with a renewed commitment to your exercise regimen.

7.  You realize Italian is the most beautiful language in the world and you resolve to learn it.

8.  You dig all your high heels out of the bottom of your closet and wear them for a week (until you realize you don't have the genetic mutation that allows Italian women to walk in four inch heels along cobblestone streets).

9.  You realize you have met a true artisti....and he makes your cappuccino every morning (Grazie Dominico!).

10.  You vow to return as soon as possible.

View from room 242, Hotel Mamiani

[This is my 200th post!  I dedicate it to my Italian hosts and new friends Simone and Mateo and to the wonderful staff at the Hotel Mamiani in Urbino.]

I Write Like.....

 ....H. P. Lovecraft, an American author (1890-1937) of horror, fantasy, and science fiction.  How do I know this?  Because I pasted a sample of my writing into the web site I Write Like and it statistically analyzed my choice of words and writing style and compared them to a data base of famous authors.  I had never heard of H.P. Lovecraft but thought it quite the spooky coincidence given my obvious love of craft.

How reproducible was this result?  I pasted in text from a second blog post and got the same answer.  Then I pasted in the first three paragraphs of a science proposal I am writing and got the same answer again!  (I'm not sure this bodes well for my science proposal.)  At this point I'm really skeptical so I paste in three samples of my father's writing and get three different answers (dad, you write like Dan Brown, Cory Doctorow, and J.R.R. Tolkien---my conclusion, you have a unique writing style/voice).  Then I tested my blurb about Morris from the sidebar.....H. P. Lovecraft, again!  Clearly, all Lovecraft fans should be reading my blog.

Finally, given that Lovecraft was a fantasy writer, the fictional genre invented by William Morris (see post here), I wondered if there was a connection between the two, other than both of the authors being included in the well-known (to people like Tyrion Frost) Ballantine Adult Fantasy Series.  All I could discover was that Lovecraft was heavily influenced by Lord Dunsany, who in turn was strongly influenced by Morris.  My writing style thus appears to have three degrees of separation from the Great One! 


p.s. after finishing this post, the analysis of it on I Write Like, again, was H. P. Lovecraft!

The Ultimate in Historic Preservation

I wonder if William Morris, the founder of the modern historic preservation movement, would have enjoyed a visit to the famous Gubbio Section in Italy.  I know you are probably wondering, what the heck is that?  It is an outcrop of rock (see pic below) that preserves a record of deep time, a sequence that somehow escaped being eroded, subducted, buried, washed away, blasted to smithereens, etc.  Here in a deep gorge in the mountains near the medieval town of Gubbio, one finds the beautifully preserved boundary between the Cretaceous Period, the time of the dinosaurs, and the Tertiary Period, the time of mammals rise to dominance (we rule!).

 It is at this famous outcrop that Walter Alverez, Jan Smit, and their colleagues found the telltale evidence for the asteroid impact that slammed into the Earth 65 million years ago bringing with it years of darkness, firestorms, a collapse of the food chain, and the demise of the dinosaurs that had roamed the Earth as the largest vertebrates for over 160 (!) million years.  I first learned of the asteroid extinction hypothesis as an undergraduate, the year it was proposed --- it was considered a profoundly outlandish idea at the time.  Probably the only reason anyone paid any attention at all to it was that it was authored by a Nobel Prize winning physicist, Luis Alvarez, geologist Walter's father.  Thirty years later the hypothesis is widely, although not universally, accepted within the scientific community (as a comparison, I would say there is more scientific consensus on the reality of anthropogenic global warming).

The reason the boundary layer looks like a slanted hole (the rock layers are tilted) is that for decades geologists and others have been digging further and further into the cliff to get samples of the extinction layer.  The guy in the lime shirt is Jan Smit, one of the original proposers of the asteroid impact hypothesis.

 Even though it is the most famous outcrop in the world, this is still really only a place to set a geologist's or naturalist's heart aflutter.  But anyone would appreciate Ristorante Bottaccione, located a few hundred meters down the road.  Here we (about 70 of us!) had a fabulous multi-course lunch on a shaded outdoor patio with many bottles of wine.  We pored over the two Gubbio guest books that have been kept by the restaurant since the first one was started by Walter Alverez in 1976 (he and his colleagues published the hypothesis in 1980 after discovering extraterrestrial iridium in the boundary layer).  A record of the many geologists and Earth Science groups that have visited the outcrop over the years, these books are filled with names of scientists, famous and otherwise, along with their doodles, reflections, comments, etc.  A few years back a museum in France scanned them in their entirety as an epistemological record of the evolution of the asteroid impact hypothesis.  Like my visit to Red House, it was a great feeling to finally visit this amazing place.

The first page of the first logbook...Walter Alvarez at top of list.

The Bullerswood Carpet, Now you see it.....

The Bullerswood is the grandest of all the hand-knotted carpets made by Morris & Co.  It dates to 1889 and is based on ancient Persian and Turkish carpet samples collected by Morris.  It has woolen pile on a cotton warp, is colored with vegetable dyes, and is HUGE, approximately 4 meters by 7.5 meters (13 feet by 25 feet).  It is currently on view in the British Galleries at the Victoria & Albert Museum.

The carpet is rarely displayed and its colors are still vibrant.  While researching the carpet I found a fascinating article about how scientists have determined the ideal display and lighting conditions for this masterpiece.

The vegetable dyes used in the carpet "range from reasonably light-fast to very fugitive."  (What a great use of the word fugitive!)  The curators must consider that the "brighter the illumination, the easier the object will be to see but the greater the rate of light-induced deterioration."  What to do?  The approach was to carry out a series of experiments on the back of the carpet.  Sections of different colors were brightly illuminated over time intervals long enough to detect fading by measuring spectra of reflected light with a spectrophotometer.  Unexpectedly, they discovered that the blue areas on the carpet faded the most with the least fading occurring for burgundy, opposite of what is typically the case for objects colored with vegetable dyes.

 The V&A has developed a lighting policy which establishes acceptable fading rates for artifacts, namely that changes be limited to one 'just noticeable fade' (JNF) in 50 years.  After a very technical discussion of how one measures a JNF (a new unit for this scientist) the article concludes that exposure for the carpet would need to 19 years of display at 50 lux to conform to the policy.  As the light level in the gallery is 100 lux, it was decided that the carpet would be on display for only 5 years, a length of time which allows for errors in the above calculations as well as preserving the possibility of a further five years display over the next half century.  Pretty interesting!  I now realize how lucky I was to even get a glimpse of this beauty.

 Morris notebook sketch of design for Bullerswood Carpet

"La Muta", The Silent One

 In the Palazzo Ducale, in a hall of the Galleria Nazionale delle Marche, you will find this mysterious portrait of an unknown gentlewoman.  Painted by Raphael around the year 1507 when he was in his early twenties (!), and measuring 64 x 48cm (25 x 19in), it is considered the Mona Lisa of the Marche.  For obvious reasons (see below), Raphael is believed to have been inspired by Da Vinci's great work which was painted between 1503 and 1506.

Like the paintings in haunted house cartoons, La Muta's eyes follow you around the room.  Make eye contact with her....lean a foot or two to the right of your computer......lean back.......yes? 

It's even spookier in person, especially as unlike the Mona Lisa where you are typically looking over the heads of a small mob, in the sparsely populated galleries of the Palazzo La Muta only has eyes for you.